视频简介
张铁翼得知神母峰有宝藏的传说，曲家堡和附近的柳家庄为了宝藏传说械斗不断。张铁翼调查后得知实情：丁小壮的父亲是乐善好施的古董商人，被曲柳两家的歹人杀害，但临终嘱他不可复仇。丁长大后仍然常散财济贫，歹人又来争夺，他索性继续散财，引诱两家自相残杀。张铁翼说服他放弃复仇，但两家利令智昏，继续争斗，张铁翼带着丁来到现场及时阻止了悲剧。。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。