视频简介
The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。近年，粵港澳大灣區發展蓬勃，成為內地經濟體系最強的地區之一，擴展潛力指日可待。 香港專才的足跡遍及廣州、深圳、珠海、佛山、惠州、東莞、中山、江門、肇慶、澳門，主持吳啟華、袁潔儀透過港人在當地的生活、工作、創業情況，了解背後的故事，他們如何把握難得的發展機遇？ 節目另會介紹大灣區城市、特區的發展定位，將所屬的獨特魅力和優勢，立體呈現！ 香港作為國際金融中心，又怎樣與大灣區及世界各地的樞紐連結聯動？。